Performing the Archive: On Carla Gannis’s wwwunderkammer. By Natasha Chuk
I click on a weblink that prompts me to join a room. The room is dark and drenched in a purple hue: blue and red hexagonal tiles rotate along the perimeter. Large text reads “WELCOME TO THE WWWUNDERKAMMER.” Up ahead is a massive VR headset with portals in the place of apps revealing a map that allows me to transport to other rooms. There are 22 from which to choose. I click on one and enter. From there, the tour begins.
